Showing posts with label stuff. Show all posts
Showing posts with label stuff. Show all posts
Friday, January 23, 2015
NEW PODCAST!!
super stoked and proud to announce my new podcast is available in the iTunes store! just search for The Animation Network (or my name) in the podcasts section! please share, share, SHARE it and most importantly, please give it a high rating on iTunes if you like it. (a pleasant comment would go a long way as well!) w00!
Thursday, May 15, 2014
FINALLY!!
Skratchy is LIVE on YouTube! yeah, you remember, 'member? like over a year ago that animated short that i had started working on? then i had to take a break from because i was working on a new show here at Disney that took LOTS of time. alas! Skratchy McPoochberry's PizzaTime FunHouse is ready for viewing! check it out!
we hope you like it! and if you do, please SHARE SHARE SHARE the junk out of it, and be sure to LIKE it on YouTube! also, check out our other blog Sketch & Sniff Cartoons for more happenings with the short and what's coming up next for us!
thanks, everyone!
we hope you like it! and if you do, please SHARE SHARE SHARE the junk out of it, and be sure to LIKE it on YouTube! also, check out our other blog Sketch & Sniff Cartoons for more happenings with the short and what's coming up next for us!
thanks, everyone!
Tuesday, May 6, 2014
Thursday, April 17, 2014
Monday, April 14, 2014
WonderCon 2014
hey, guys! don't forget this weekend is WonderCon in Anaheim. it's literally across the street from Disneyland! be sure to swing by and say hi, as i'll be holding down my own table this year in Artist Alley for my first time, solo. i'd love to meet you and hear about the exciting things going on in your life. also, i'll have some cool pieces for sale, including new artwork that i haven't posted yet! need more info? here ya go: http://www.comic-con.org/wca!
if you're able to make it out, swing by table #AA082! i'm even fulfilling commission orders. HOORAY!!
Monday, January 13, 2014
testing my new mic!!
hey guys! mega stoked to share my new mic with you all. i threw something together that i hope you'll find interesting! give it a listen:
Thursday, November 14, 2013
portfolio stuff (pt.1?)
so earlier today i tweeted something about aspiring artists breaking into the industry having difficulty preparing a competitive portfolio. seems like it struck a chord with some, and they asked me to elaborate on my thoughts about this. i'll try to keep it short, because i could go on about this for awhile. in this post, i'll elaborate on just my thought process behind the specific tweet from today: it's no surprise that students are confused as to what their portfolios should look like coming out of school trying to break into the biz. keep in mind, by no means are my words gospel. i'm just reporting what i've seen work time and time again, what hasn't, and what i know from my time in the industry and my friendships with the people looking through portfolios.
i'll get everyone on the same page first by backing up just a bit. see, many of you have reached out to me because you know some of my history and know that i have lots to offer by way of giving a portfolio review or feedback of some sort. at lot of times, i hear questions like, "if a potential employer looked at my site, what would make them pass on it?" or "how do I keep their attention?" or "basically what would I need to have to be able to apply?" and after some investigation, i've found that the reason for these questions is because the sources to what they've been hearing is all over the place. half the time it's from a super seasoned veteran who's been in the industry as long (or longer) than the aspiring artist has been alive. this causes problems because they're so far removed from what it takes to get a job at the most competitive of edges today. essentially, their careers speak for themselves, which is fine, but what about a kid who's fresh-faced, right outta art school? the portfolio methods or hierarchy ladders don't apply the way they did pre-1996. then the other half of the time, these aspiring artists try to latch onto what they gather from following more current industry players. the problem here is that they spend too much time imitating the frosting without getting the ingredients to bake the cake -- so that they can bake one -- THEN frost it.
to clarify:
scenario A)- you come out of school with your best graded project in every class all crammed into one portfolio with some life drawings at the end of it. in essence, it's a mess to a recruiter, but you're hopeful to get an "entry level" gig (mainly due to your love of drawing) as a prop cleanup artist or whatever so that you can work your way up to a full-fledged character designer.
scenario B)- you end up with a portfolio that looks like a sloppy, diluted version of artwork from your favorite artists, and you try to pass off your lacking knowledge of anatomy, color theory, or imagination as "your style".
now of course there are tons of half-steps in this rainbow of possible types of portfolios. these just happen to be the ones i see THE MOST. and i'm not talking about the good ones i see from time to time, which definitely happens, but this post isn't about those portfolios. so then someone reading this might wonder, "well what ARE the answers to those previous questions??" unfortunately, it's hard to nail down in one answer because each discipline has slight differences. maybe i can resolve more about this in a followup post. but i can tell you this: very seldom does any recruiter look for a jack-of-all-trades; so one common denominator here is that if you have a hodgepodge of artwork in your portfolio, it will be very hard to land a gig at a major animation studio these days. the key is to specialize in something. shit, you can specialize in MULTIPLE things, as long as you separate them into multiple portfolios. at the very least, have multiple pages on your site to categorize.
sounds like a lot of work? it isn't. at least not for those who really want to be here. there are plenty of empty cubes on my floor waiting to be filled by the people who want it badly enough and are willing to put in the time and effort to nail the first hurdle -- the portfolio review.
i'll get everyone on the same page first by backing up just a bit. see, many of you have reached out to me because you know some of my history and know that i have lots to offer by way of giving a portfolio review or feedback of some sort. at lot of times, i hear questions like, "if a potential employer looked at my site, what would make them pass on it?" or "how do I keep their attention?" or "basically what would I need to have to be able to apply?" and after some investigation, i've found that the reason for these questions is because the sources to what they've been hearing is all over the place. half the time it's from a super seasoned veteran who's been in the industry as long (or longer) than the aspiring artist has been alive. this causes problems because they're so far removed from what it takes to get a job at the most competitive of edges today. essentially, their careers speak for themselves, which is fine, but what about a kid who's fresh-faced, right outta art school? the portfolio methods or hierarchy ladders don't apply the way they did pre-1996. then the other half of the time, these aspiring artists try to latch onto what they gather from following more current industry players. the problem here is that they spend too much time imitating the frosting without getting the ingredients to bake the cake -- so that they can bake one -- THEN frost it.
to clarify:
scenario A)- you come out of school with your best graded project in every class all crammed into one portfolio with some life drawings at the end of it. in essence, it's a mess to a recruiter, but you're hopeful to get an "entry level" gig (mainly due to your love of drawing) as a prop cleanup artist or whatever so that you can work your way up to a full-fledged character designer.
scenario B)- you end up with a portfolio that looks like a sloppy, diluted version of artwork from your favorite artists, and you try to pass off your lacking knowledge of anatomy, color theory, or imagination as "your style".
now of course there are tons of half-steps in this rainbow of possible types of portfolios. these just happen to be the ones i see THE MOST. and i'm not talking about the good ones i see from time to time, which definitely happens, but this post isn't about those portfolios. so then someone reading this might wonder, "well what ARE the answers to those previous questions??" unfortunately, it's hard to nail down in one answer because each discipline has slight differences. maybe i can resolve more about this in a followup post. but i can tell you this: very seldom does any recruiter look for a jack-of-all-trades; so one common denominator here is that if you have a hodgepodge of artwork in your portfolio, it will be very hard to land a gig at a major animation studio these days. the key is to specialize in something. shit, you can specialize in MULTIPLE things, as long as you separate them into multiple portfolios. at the very least, have multiple pages on your site to categorize.
sounds like a lot of work? it isn't. at least not for those who really want to be here. there are plenty of empty cubes on my floor waiting to be filled by the people who want it badly enough and are willing to put in the time and effort to nail the first hurdle -- the portfolio review.
Monday, November 4, 2013
writing a cover letter for an internship?
Many of you have found me online or have been sent my way by someone who knows me to try to offer some guidance for breaking into the animation industry. This includes snagging an internship. Recently, a student who is in this very position has been sent my way by one of her professors who I just worked with on a show. She sent me her portfolio, cover letter, resume and asked for any help at all. I love people like this because these are the ones who will go far. Anyway, here are a few little tidbits I gave her already just based on her cover letter. Some of you could use this as well, but not all will use the advice..
The first thing is, make sure to do your research. Don't start out this very important letter as "dear recruiter". That's not his/her name. Find out who the recruiter is, and address the letter properly. This will get you much further in your pursuit and put you ahead of other people who didn't care to take the time for something so simple, but very powerful. Think about it: if you had to choose a few people to hire for your business out of HUNDREDS of applications, which would you throw out right away? Probably the ones who seem to not care very much.
Also, sort of on the same note, do your research and find out what the internship is all about. For example, a union studio is much different than a non-union studio. Interning at Titmouse will be a much different experience than interning at Nickelodeon. Do you know anything about Nickelodeon's internship? Have you looked it up online? Don't applying for something that doesn't exist — meaning if the internships is for production positions ONLY, do not apply for artistic positions! Your application will end up in the trash faster than it took you to write your cover letter. (**Side note: this is an excellent way of being transparent in your laziness. It will be painfully obvious you wrote one letter for multiple studios and just changed the studio name on each letter.)
The good news is, these two suggestions that I mentioned go together because probably all of this info is on one page of a website. AND, if you wanna be really stellar at networking, you could even email the recruiter to ask more questions. That will REALLY show you care and that you put time and effort into something you really want. This will put you far ahead of many people competing for the same position. When you go to apply, there is a better chance of being recognized or remembered, which will improve your chances for success.
The last suggestion is to add a little bit to your letter so it feels more specific to the studio in which you are applying. You want to make them feel like you want that internship more than anything. Don't simply say that though. No one likes brown-nosing. The way to do it, though, is to make your letter feel like you're writing it to THEM, rather than "Dreamworks" could be taken out and substituted with any other studio name. Maybe it's not a huge deal, but I know that when they look through hundreds of applications, they'd rather choose you, who Disney (or whatever studio), specifically means something to you rather than being "just another internship".
Hope this helps!
The first thing is, make sure to do your research. Don't start out this very important letter as "dear recruiter". That's not his/her name. Find out who the recruiter is, and address the letter properly. This will get you much further in your pursuit and put you ahead of other people who didn't care to take the time for something so simple, but very powerful. Think about it: if you had to choose a few people to hire for your business out of HUNDREDS of applications, which would you throw out right away? Probably the ones who seem to not care very much.
Also, sort of on the same note, do your research and find out what the internship is all about. For example, a union studio is much different than a non-union studio. Interning at Titmouse will be a much different experience than interning at Nickelodeon. Do you know anything about Nickelodeon's internship? Have you looked it up online? Don't applying for something that doesn't exist — meaning if the internships is for production positions ONLY, do not apply for artistic positions! Your application will end up in the trash faster than it took you to write your cover letter. (**Side note: this is an excellent way of being transparent in your laziness. It will be painfully obvious you wrote one letter for multiple studios and just changed the studio name on each letter.)
The good news is, these two suggestions that I mentioned go together because probably all of this info is on one page of a website. AND, if you wanna be really stellar at networking, you could even email the recruiter to ask more questions. That will REALLY show you care and that you put time and effort into something you really want. This will put you far ahead of many people competing for the same position. When you go to apply, there is a better chance of being recognized or remembered, which will improve your chances for success.
The last suggestion is to add a little bit to your letter so it feels more specific to the studio in which you are applying. You want to make them feel like you want that internship more than anything. Don't simply say that though. No one likes brown-nosing. The way to do it, though, is to make your letter feel like you're writing it to THEM, rather than "Dreamworks" could be taken out and substituted with any other studio name. Maybe it's not a huge deal, but I know that when they look through hundreds of applications, they'd rather choose you, who Disney (or whatever studio), specifically means something to you rather than being "just another internship".
Hope this helps!
Wednesday, October 30, 2013
inktober sketch sale!
thanks to everyone who's been following my inktober chronicles! i really appreciate all the "likes", "favorites", retweets, and comments on the various webbernet forums! so, because of all the love, i've decided to sell away these sketches for the low, low next-to-dirt-cheap price of only ten bucks a piece! that's right.. no tax OR shipping fees! yes -- FREE SHIPPING! so if you liked any doodles i did of characters including SpongeBob SquarePants, Mickey Mouse, TMNT, Looney Tunes, Adventure Time, Ducktales, Nightmare Before Christmas and tons of your other childhood favorites, just click the link above that says inktober store! and you'll be well on your way to owning your own hand-drawn, inked, one-of-a-kind piece of art!
do it for the children!!!
Thursday, September 19, 2013
Tex Avery model sheets!
so today's tidbits are from one of my animation heroes -- Tex Avery! soak it up! here are some model sheets used on this very episode below!
Tuesday, September 17, 2013
Thursday, April 25, 2013
happy birthday!
hey, guys!
so here's something a little different! i'm taking the time to post some ANIMATION! can you believe it? i've never posted any animation in my life, BUT this is a special case.
as some of you know, yesterday was my birthday. not only that, i shared it with some pretty cool people! one of these people is the great Marlo Meekins who is currently dominating the social networking scene with hilarious feeds through her Twitter and Vine account (@MarloMeekins). anyway, so here's a short film i through together just in time for our birthdays! if you feel so inclined, take a look below!
thanks!
so here's something a little different! i'm taking the time to post some ANIMATION! can you believe it? i've never posted any animation in my life, BUT this is a special case.
as some of you know, yesterday was my birthday. not only that, i shared it with some pretty cool people! one of these people is the great Marlo Meekins who is currently dominating the social networking scene with hilarious feeds through her Twitter and Vine account (@MarloMeekins). anyway, so here's a short film i through together just in time for our birthdays! if you feel so inclined, take a look below!
thanks!
Monday, March 25, 2013
Candy Mario!
hey guys!
so here's a quick one i did for my pals over at A Sitting Duck (a studio in the UK who's videos you may have seen on YouTube)! one of their biggest characters is a mega cute dino called Candy the Magic Dinosaur! since they're all about animation and video games at A Sitting Duck, i did a fun mash-up for them! a generous blend of Candy (as Yoshi) and Mario from Super Mario World (on the Super Nintendo Entertainment System)! what do you think??
so here's a quick one i did for my pals over at A Sitting Duck (a studio in the UK who's videos you may have seen on YouTube)! one of their biggest characters is a mega cute dino called Candy the Magic Dinosaur! since they're all about animation and video games at A Sitting Duck, i did a fun mash-up for them! a generous blend of Candy (as Yoshi) and Mario from Super Mario World (on the Super Nintendo Entertainment System)! what do you think??
Wednesday, March 20, 2013
back in effect mode!
wuddup, y'allz?!
as some of you know, i've been crazy busy lately putting together tons of awesome stuff for your retinas! so i thought this would be a great opportunity to bring back the ol' Sketch & Sniff project studio! so far, i've only got one thing up and running under this umbrella, and that is my new weekly comic blog over at LOLraplyrics.tumbler.com. i'm sure you're imaginations are already putting together what it's about, but in case you need help, GO CHECK IT OUT. be sure to laugh and share as much as possible in hopes to brighten someone's day. (just be sure to tell them some of it is #NSFW..)
anyway, so with all the cool things going on, i've put together this fresh look for the S&S logo! hope ya dig it!
as some of you know, i've been crazy busy lately putting together tons of awesome stuff for your retinas! so i thought this would be a great opportunity to bring back the ol' Sketch & Sniff project studio! so far, i've only got one thing up and running under this umbrella, and that is my new weekly comic blog over at LOLraplyrics.tumbler.com. i'm sure you're imaginations are already putting together what it's about, but in case you need help, GO CHECK IT OUT. be sure to laugh and share as much as possible in hopes to brighten someone's day. (just be sure to tell them some of it is #NSFW..)
anyway, so with all the cool things going on, i've put together this fresh look for the S&S logo! hope ya dig it!
Tuesday, October 23, 2012
Bravest Warriors (Danny) prints for sale!!
**amended 01.24.13**
well, by now you've probably seen or heard something about Bravest Warriors on YouTube. this is especially true if you're fans of Pendleton Ward's other show, Adventure Time. but now i'd like to share this little number with you once again as a commemoration of a super fun episode i storyboarded called "Dan Before Time" (check it out here) that just aired today! if you're a fan, take a look below and see if any of these pieces tickles your fancy. since there is a very limited number, be sure to buy yours quickly and share the link with your friends! perhaps if these go quickly enough, i'll have to do another one of other characters :0)
below are two versions of the print that i'm selling. it's a slightly amped up version of the "Pen Ward look" that people have come to know. i really wanted to do something special and fun for this, and to make it even more so, i was fortunate to borrow the righteous coloring skills of Alex Deligiannis:
Black & White (8x10)- $15.00
Color (8x10)- $25.00
now here's the thing: i'm selling only 20 prints of each. both versions will be numbered (#1-20 for b/w, #1-20 for color) and signed (by both Alex and myself for the colored version).
ready to claim yours?? then click the "Buy Now" button below to securely pay through Paypal! "Get down to biz, my ninja!"
well, by now you've probably seen or heard something about Bravest Warriors on YouTube. this is especially true if you're fans of Pendleton Ward's other show, Adventure Time. but now i'd like to share this little number with you once again as a commemoration of a super fun episode i storyboarded called "Dan Before Time" (check it out here) that just aired today! if you're a fan, take a look below and see if any of these pieces tickles your fancy. since there is a very limited number, be sure to buy yours quickly and share the link with your friends! perhaps if these go quickly enough, i'll have to do another one of other characters :0)
below are two versions of the print that i'm selling. it's a slightly amped up version of the "Pen Ward look" that people have come to know. i really wanted to do something special and fun for this, and to make it even more so, i was fortunate to borrow the righteous coloring skills of Alex Deligiannis:
Black & White (8x10)- $15.00
Color (8x10)- $25.00
now here's the thing: i'm selling only 20 prints of each. both versions will be numbered (#1-20 for b/w, #1-20 for color) and signed (by both Alex and myself for the colored version).
ready to claim yours?? then click the "Buy Now" button below to securely pay through Paypal! "Get down to biz, my ninja!"
Friday, April 6, 2012
no drawings today..
an excerpt from a conversation with someone very important to me:
"the thing i think people forget is that we move through our daily routines with many, many meetings and partings with other people. those interactions shape who we are individually and the role we play in society. much of our outlook on others comes from our interactions with people everyday: someone wouldn’t let you get over in traffic, a lady behind you at the cashier gave you the 17 cents that you needed, someone answered a phone call in a movie theater, a guy in his BMW let you have the parking spot you waited 7 minutes for someone to back out of (even though he could’ve swiped it). one of two things happens from meetings like this: we loose a little more faith in humanity, or we discover there’s still small doses of good out there. but what’s more important is realizing that WE have that same responsibility in everyone’s life around us at all times."
so here’s my thought for the day: what if we spend today keeping this idea in mind and acting on it accordingly? maybe remember to look behind us after walking through the door to see if someone is coming in after so that the door doesn't slam on them. how about NOT posting a rant on facebook about how someone supremely wronged us to see how many people side with us? what if we wait for someone to get all the way onto the curb before flying around the corner through the crosswalk? it’s true that small things like this might not make an immediate difference, but maybe they will. realize that not putting someone in a bad mood unintentionally can be just as effective as putting them into a good mood intentionally. once we've effected one person with our mood, IT WILL SPREAD. i feel like we should try to be conscious of what we emanate because it directly correlates to how people view each other. sure misery loves company, but company does NOT love misery.
i think that more often than not, effecting someone's day/mood/perception of humanity takes only seconds out of our life, but will contribute to a ripple effect larger than we can imagine.
"the thing i think people forget is that we move through our daily routines with many, many meetings and partings with other people. those interactions shape who we are individually and the role we play in society. much of our outlook on others comes from our interactions with people everyday: someone wouldn’t let you get over in traffic, a lady behind you at the cashier gave you the 17 cents that you needed, someone answered a phone call in a movie theater, a guy in his BMW let you have the parking spot you waited 7 minutes for someone to back out of (even though he could’ve swiped it). one of two things happens from meetings like this: we loose a little more faith in humanity, or we discover there’s still small doses of good out there. but what’s more important is realizing that WE have that same responsibility in everyone’s life around us at all times."
so here’s my thought for the day: what if we spend today keeping this idea in mind and acting on it accordingly? maybe remember to look behind us after walking through the door to see if someone is coming in after so that the door doesn't slam on them. how about NOT posting a rant on facebook about how someone supremely wronged us to see how many people side with us? what if we wait for someone to get all the way onto the curb before flying around the corner through the crosswalk? it’s true that small things like this might not make an immediate difference, but maybe they will. realize that not putting someone in a bad mood unintentionally can be just as effective as putting them into a good mood intentionally. once we've effected one person with our mood, IT WILL SPREAD. i feel like we should try to be conscious of what we emanate because it directly correlates to how people view each other. sure misery loves company, but company does NOT love misery.
i think that more often than not, effecting someone's day/mood/perception of humanity takes only seconds out of our life, but will contribute to a ripple effect larger than we can imagine.
Monday, March 19, 2012
Custodial Kenny!
hello, dear friends, followers, and patrons of my art!
thanks so much for being supporters of mine over the last few years. i'm really excited this morning because i have something a little different to share with you than just another sketch or doodle! this time, it's much bigger!
as some of you know, i got my humble beginnings working at a MAJOR local theme park. there is where i met my best friend, Sean. we went on to both end up working at Nickelodeon (him on the new Avatar spinoff, Korra, and me on SpongeBob SquarePants). but next week, on Thursday, Sean and i are pitching our very own show to Nickelodeon and we really want to share it with YOU first! if you have 5 minutes in your day, please hop on over to the blog for Custodial Kenny to take a look at this show we're developing!
as if i haven't asked you for enough already, please also take another 4 seconds to become a follower on the blog (the reasons are noted on the site), and then another 20 seconds to post about it on your Facebook, Twitter, Google+ and blogs of your own! (please note, there is no money involved or annoying emails everyday!) also, feel free to post away any comments on your favorite designs or thoughts you have about the show! all your feedback is extremely welcome and valuable.
thanks SOOO much for your time, energy, and support :0)
k.w
thanks so much for being supporters of mine over the last few years. i'm really excited this morning because i have something a little different to share with you than just another sketch or doodle! this time, it's much bigger!
as some of you know, i got my humble beginnings working at a MAJOR local theme park. there is where i met my best friend, Sean. we went on to both end up working at Nickelodeon (him on the new Avatar spinoff, Korra, and me on SpongeBob SquarePants). but next week, on Thursday, Sean and i are pitching our very own show to Nickelodeon and we really want to share it with YOU first! if you have 5 minutes in your day, please hop on over to the blog for Custodial Kenny to take a look at this show we're developing!
as if i haven't asked you for enough already, please also take another 4 seconds to become a follower on the blog (the reasons are noted on the site), and then another 20 seconds to post about it on your Facebook, Twitter, Google+ and blogs of your own! (please note, there is no money involved or annoying emails everyday!) also, feel free to post away any comments on your favorite designs or thoughts you have about the show! all your feedback is extremely welcome and valuable.
thanks SOOO much for your time, energy, and support :0)
k.w
Friday, February 10, 2012
Tuesday, January 24, 2012
whoopsie!
so, i may have made a mistake. you see, many of you know that i'm working on a graphic novel right now. i thought it'd be great to share my progress with those interested in the book because i get so many frequent questions about it (which is quite flattering, by the way!). the only thing is, i think i blew it by creating a Tumblr account to share my works.
i guess Tumblr itself is pretty cool, but it's not for me. see, the problem is that it's built more for ramblings (not in a negative way) as opposed to a project-specific house for materials. also, i thought it'd be cool to branch out to something newer to see what all the hubbub was about, but i'm finding that i'm quite happy with Google's performance with Blogger (which i should've known from the start). AND SO! i've decided to move over the House of Grizzle from Tumblr to Blogger, which is nice because this will keep all of my blogs together under one roof, AND it allows for easier following for my friends who are interested in the book. i could be wrong, but with Tumblr it seems as though you have to have a Tumblr account to "follow" one. with Google though, they make it easier for practically anyone to follow a blog so that they're properly being updated on it.
anyway, i hope i didn't just waste two minutes of your day that you could've really used. nonetheless, i thank you for your interest and occasional visits to any of my blogs. if you have a sec, shuffle on over to House of Grizzle to learn more about my comic, make some comments, and even give it a "follow" if your diggin what you're retinas are pickin up! you can click the image of Ace to the right to take you there!
thanks again, doods!
i guess Tumblr itself is pretty cool, but it's not for me. see, the problem is that it's built more for ramblings (not in a negative way) as opposed to a project-specific house for materials. also, i thought it'd be cool to branch out to something newer to see what all the hubbub was about, but i'm finding that i'm quite happy with Google's performance with Blogger (which i should've known from the start). AND SO! i've decided to move over the House of Grizzle from Tumblr to Blogger, which is nice because this will keep all of my blogs together under one roof, AND it allows for easier following for my friends who are interested in the book. i could be wrong, but with Tumblr it seems as though you have to have a Tumblr account to "follow" one. with Google though, they make it easier for practically anyone to follow a blog so that they're properly being updated on it.
thanks again, doods!
Friday, January 20, 2012
Wellington: The Ridiculous Dog (ep04)
hey, all! in case you were lookin for it, here's the latest in Wellington webisodes! thanks for watching!
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